eChapters

In practice, flowers are collected from wild plantations. Recently kewda has emerged as one of the important commercial commodities. A systematic cultivation practice is essential to develop a successful plantation and to increase the productivity.

Planting

Kewda suckers or crowns are generally planted during June-July. i.e. in the beginning of the monsoon, when the soil is not too wet. Planting in wet soil delayd the root formation and reduces the success level. Just after the first shower of rain or during the summer shower close to monsoon, kewda is planted.

In a full grown plant, stilt roots originate at a few feet above the ground to render a support for the huge canopy of the plant. Each part of the stem is capable enough for development of root initials, but it is retarded once the stem became old and leafless. The root initials develop at the terminal portion, where more leaves cluster, but they do not grow. Hence, the stem cuttings collected from the flowering or non-flowering shoots bear the rudimentary roots and when planted, they establish quickly.

In practice, the cuttings are collected and scattered on the ground for two to three days. Before planting, a few leaves closed to the base of the cuttings are removed to expose the root development sites. The cuttings are planted in trenches of 45 cm depth horizontally or at an angle of 30^o. The new leaves appear on the growing points one month after planting.

Kewda plants are usually planted on the field bunds for fencing and subsequently used for collection of flowers. A 30 years old plant can produce a crown of 6-7 m, for which it is difficult to develop a commercial plantation in a close spacing. It has been observed in the natural plantations that the plants may be spaced at 8-10 m distance to achieve a full length of plantation life. It is, therefore, suggested by the authors to follow a paired row method of planting maintaining a spacing of 4 m between plants and rows of a paired row and 6 m between two paired rows; which provides all facilities for plant growth upto 10-12 years and then pruning of a few branches are required. Hence, a plant population of 500 plants in the field and 150-200 plants on field bunds are maintained in a land of one hectare.

Kewda is exclusively propagated through ground suckers and leaf bearing terminal cuttings. In kewda growing areas, predominantly the terminal shoot cuttings are used in commercial plantations. However, the seeds are also capable to germinate and give rise to plants, but it is not in practice due to hard mesocarp and seed coat (Bailey, 1950, Deshaprabhu, 1966, Mott, 1975, Maharana and Jagadev, 1993).

Seed propagation

In kewda, the flowers develop into berries, which fuse to form a multiple fruit. The receptacle and bracts are included in the fruit. The seeds are deep seated and very difficult to extract, hence seeds are sown along with the fibrous drupes. Each drupe contains 2-9 seeds. Seeds collected from ripe fruits are sown during spring. The seeds normally, take about 3 months for germination due to the hard seed coat and impervious fibrous covering. Experimentally, it was observed that one hour sulphuric acid scarification treatment of the drupes reduced the germination period by about one month increasing the germination percentage as compared to direct sowing, however, scarification for more than one hour was deterimental (Table 14) (Maharana and Jagadev, 1993). Bailey (1950) reported that seed soaking in tepid water for 24 hours would aid the germination. The seed propagated plants (Plate-27) take about 2-3 years more for flowering as compared to vegetatively propagated plants.

Soil

Soil has a pronounceed effect on the plant growth and productivity in kewda. Well drained sandy-loam soil with adequate supply of moisture is best suited for its vigorous growth and flower production. Thickly distributed profitableKewda plantations with normal flowering are found in the lateritic belts with deposits of silty loam soil and adequate moisture supply. In heavy clay soil with inadequate moisture supply, the plants grow vegetatively with poor flowering. At places close to the Bay of Bengal like Rangiagarh, Kujang, Paradeep of Jagatsinghpur district, where a silt-loam soil deposit is found over the clay zone, the dense plantations of kewda with free flowering ability are noticed. But surprisingly, the female plants are more at few places close to the Paradeep port, which may be due to seed propagation by drifting of ripe fruits from the uplands; while in Ganjam district, the farmers are used to plant the selected male plants in their field resulting in high flower production.

The tentative age of the natural plantations is estimated from the rates of leaf production, stem and branch growth (5-50 cm / year) and development of branching pattern (primary and secondary) in conjuction with the interactions made with the local farmers of kewda (Fig. 9). The plants of different age groups (1 to 5 years) are observed for growth characters and flower production at Tulu of Ganjam and Konark of Puri districts under farmers’ field condition and it is observed that the initiation of flowers started at 5 years of age and the rate of flower production was 1.7 to 2.2 per plant (Table 9).

No breeding work has so far been done on kewda except selection of some promising morphotypes. Varietal improvement in kewda by breeding poses problems mainly due to dioecious nature and long life cycle of the plants, besides heterozygosity. Lack of promising strains is a major drawback. The wild growing population of kewda has a measure of variation and this has never been documented and utilized, which naturally offer a good scope for improvement of kewda by resorting to selection and subsequently propagating them vegetatively. Since a wide range of variation is available and the plants are mostly propagated by vegetative means, it is worthwhile to collect genetic stocks, access variability in morphological characters and attempt a breeding programme after selecting the desirable types for high flower production as the ultimate economate economic value of the plantations depends on the quantity of flower production to be used industrially in the distillation units.

The screwpines are tropical shrubby plants grown for the highly scented flowers or the ornamental foliage. The ornamental foliage types are generally cultivated in the green house and protected from direct sun. The variegated types loose the colour in a rich soil and hence should be grown in a rather poor soil containing just sufficient nutrients and moisture. Some species are good for potting and indoor decoration. The common screwpine is used as a hedge also (Randhawa and Mukhopadhyay, 1986)

The screwpine (Pandanus), is highly polymorphic with numerous forms and varieties and selected in various countries for specific uses as maintained by vegetative propagation, e.g. P. leram (Plate 14), the Nicober-bread fruit, is grown in the Andaman Islands for its edible fruit providing a starchy food that is enjoyed locally; another species, P. utilis (Plate 15), on the remote Island of Mauritius, provides fibre from the leaves, used in making bags and a species from Polynesia, P.veitchii (Plate 16) is most commonly grown in green houses and outdoors as an ornamental, where the winter weather is mild and in the species the prop roots and branching stems are particularly well developed attracting attention from many people who might not otherwise notice the stranger from the tropics (Lorus and Milne, 1967). However, these three species give a striking foliage effect and especially useful in seaside gardens as P. utilis with green leaves; P. veitchii with banded white and P. leram with even longer leaves (Thomas, 1965). An unarmed form, forma laevis warb., is cultivated for the fragrant bracts of the inflorescence, while forma samak, a group of prickly Pandanus, is preferred for the tough leaves suitable for matting; another form with longitudinal yellow bands on leaves (forma variegatus) is grown for ornamental purposes (Deshaprabhu, 1966; Ambasta, 1986). In the Pacific Islands, some of the forms (e.g pulposus) are cultivated for their edible fruits (Purseglove, 1975; Ambasta, 1986). Burkill (1966) states that the common wild armed form of the sea-coasts was var. littoralis and that flower growers had selected various races for cultivation, which included the prickly var. samak and thronless var. laevis, grown in India, Malay and Indonesia, are used for making mats.

Botany

Several vernacular names of kewda are reported in different languages all over the world ; viz.

Keora, Ketgi, Keura, Gagandhul in Hindi; Keya, Ketaki, Kea, Ketkikea in Bengali; Kiya, Kia in Odia; Kewoda in Gujrati; Ato, Keto, Covasso in Konkani; Keoda, Keora in Marathi; Talemara in Kannada; Gedaji, Gedangimogali, Gojjangi, Ketaki, Mugali, Mogali in Telugu; Kaidai, Talhai, Thasai, Thazh, Kechiya, Kedagi, Kedagai, Muchali in Tamil; Kaita, Ketaki, Palliyambu in Malayalam; Gandhapuspa, Dalapushpa, Shivadvishta, Ketaki, Suchika pushpa in Sanskrit; Leram in Nicoberese; Mudukeyiya, wetakey in Sinhalese; Keora in Urdu; Gulkiri, Kader, Kadi in Persian; Satthapu, Tsatthapu in Burmese; Nalu in Nepalese; Togenashiadan in Japanese; Kadar, Kadhi, Kazi in Arabic Kaide, Kedige, Ketaki, Gedege, Mundige in Canarese; Kedgi in Deccan; Vaquois odorant in French and Schrauben palme in German. (Kirtikar and Basu, 1935; Randhawa and Mukhopadhyay, 1986; Kapoor, 1990).

Kewda (Pandanus fascicularis Lam.) is a native of the old world extending from Africa to Australia (Chittenden, 1956; Lorus and Milne, 1967; Mott, 1975). About 600 species of Pandanus are widely distributed in the moist tropics of the old world and kewda is the most widespread species being recorded from Mauritius Islands in the west to Polynesian and Micronesian Islands in the east (Deshaprabhu, 1966).

It occupies an important position in the mythology of Melanesian, Polynesian and Micronesian Islands (Massal and Barrau, 1956). Kewda has been mentioned in the Indian mythology with several available legends. In Skandha Puran, it is mentioned that Ketaki (P. odorattisimus L.f.) flower is unfit to worship Shiva (Bhattacharjee, 1987). As regards to popularity of Kewda, one of the Gujarati tribal songs says that the sun rises behind the Kewda tree, the moon applies antimony to its eyes, the night is lit with soft moon light. Another mythological legend mentioned that during Satya Yuga, there was a fight between Brahma and Vishnu to know, to prove their greatness. Lord Shiva decided a simple method that the one, who can see his head or his feet, shall be greater than the other. Shiva disappeared and became so great that Brahma and Vishnu couldn’t see his head or feet and searched in different directions. Vishnu went up to patal, but couldn’t find his feet and Brahma had gone up to the highest peak and could not see the head of Shiva. On the returned way, Bramha found a Kewda flower and claimed that he had brought the flower from the head of Lord Shiva. On questioning by Vishnu, Kewda flower also replied that she was adorned by Shiva (Gandhi, 1989).

Among the vast resources of plants, aromatic and medicinal plants are highly beneficial to mankind for supplying medicines and essence. Olfactory gland bearing aromatic plants are few and many of them are located mainly in tropics and sub-tropics. Ecological conditions in the tropics are so conducive for such plants that out of 75,000 edible plants, majority are found in this region. (Chai et al., 1979, Jong, 1979)

Among the aromatic plants, kewda (Pandanus fascicularis Lam.), a common species of screwpine, is commercially important for its highly aromatic male spadices used in the production of highly prized kewda perfumes. Kewda attar, water and oil (rooh kewda) are the important perfumery products. Kewda attar blends well with most of the fancy perfumes, in preparation of lotions, cosmetics, soaps, hair oils, agarbatis (incense sticks), scenting clothes and flavouring betel masala, chewing tobacco and bouquets. Kewda water is used for flavouring various foods, confectionaries, sweets, syrups and soft drinks. The oil and attar are considered as stimulant, antispasmodic and administered for headache and rheumatism (Chopra et al., 1956). The kewda is mentioned frequently in Tamil classics as having flowers which neutralize the foul fish odour pervading the sea coast with their strong perfume. Jehangir in his memoirs, Tuzuk-i-Jahangiri, described kewda flower for its strong and penetrating scent, which even obscures that of musk (Gandhi, 1989).

Odisha state lying between 17^o 52′ N to 22^o 45′ N latitude and 81^o 50′ E to 87^o 50′ E longitude has a prosperous agriculture. Nearly 75 % of its working population are either cultivators or agricultural labourers and remaining 25 % are engaged in the categories of household industry and other works (Anonymous, 1988). The wastelands occupy 13.79 % of the total area of Odisha and are mostly scattered throughout the state. The areas of wastelands in the state mainly accounted for the hilly slopes, degraded forests, over grazed revenue wastelands, oil eroded valleys, drought stricken pastures, saline and marshy lands, etc. The changes in land use leading to creation of wastelands include overgrazing forest degradation and development of marginal cropland due to flood, drought and soil erosion etc. (Fig. 1).

Table 19.1: Reference Guide for Landscape Plants.

The term “low-maintenance” refers to a plant that does not require frequent maintenance such as regular watering, pruning, or spraying to remain healthy and to maintain an acceptable aesthetic quality. A low-maintenance plant has low fertilizer requirements and few pest and disease problems. In addition, low-maintenance plants suitable for India must also be adapted to or at least tolerate our poor, alkaline, sand or limestone-based soils. Both native and non-native species are included herein. Also, a variety of plants that are not commonly available in Indian nurseries or garden centres were intentionally included with the hope that increased demand will generate increased supply. Putting the right plant in the right place is of foremost importance in creating a healthy and successful low-maintenance landscape. However, this principle is dependent upon one’s ability to accurately select the right plant species for a given location. Common names are often misleading and sometimes more than one plant species may be referred to by the same or similar common name.

Landscape Gardening

Landscape gardening is an aesthetic branch of Horticulture which deals with planting of ornamental plants in such a way that it creates a picturesque effect. According to Chambers’ dictionary, the definition of landscape is the appearance of that portion of land which the eye can view at once and landscape gardening is the art of laying grounds so as to produce the effect of a picturesque landscape. Landscape gardening can be defined as the decoration of a tract of land with plants and other garden materials so as to produce a picturesque and naturalistic effect in a limited space. According to Bailey, Landscape gardening is the application of garden forms, methods and materials to the improvements of the landscape and the landscape in this connection is any area large or small on which it is desirable to develop a view or design. So landscape may or may not include plants.

Landscape gardening can also be defined as the beautification of a tract of land having a house or other object of interest on it. It is done with a view to create a natural scene by the planting of lawn, trees and shrubs. Landscape gardening is both an art and science of the establishment of a ground in such a way that it gives an effect of a natural landscape. It can be also defined as the imitation of nature in the garden. It can also be defined as improving of total living environment for the people. In light of all the foregoing definition landscape gardening can be defined more appropriately as art of creating gardens, parks and other green areas.

Landscape design seeks to create balance between living and natural environments in order to derive the greatest use and enjoyment from outdoor space. A landscape to a landscape designer is like a slab of marble to a sculptor or the insides of a home to an interior decorator; a landscape is the canvass on which the landscape designer crafts his or her masterpiece. Since the landscape gardening is the making pictures on the ground with plant and other material, landscape designer should be proficient in art, ornamental gardening, ecology and physiology. He should be an architect and engineer to appreciate the relationship between plant form, colours and buildings.

Plants are important to humankind not only economically, environmentally and industrially but also spiritually, historically and aesthetically, they sustain human life through direct and indirect gains by providing a wide range of products for survival and prosperity. Bio-aesthetic planning to a large extent is a product of the age. With the advancement in agriculture and increase in population, large settlements developed, marking the beginning of urbanization. More and more people moved to urban areas for comfortable life. Increasing human needs resulted in large-scale exploitation of natural resources, great reduction in forest cover and extinction of many species of flora and fauna. The extent of forest cover is a good indication of the health of the land. The large scale deforestation in recent decades has rendered the sensitive catchment areas and hilly areas particularly vulnerable to soil erosion. Professor Lancelot Hogben coined the term ‘Bio-aesthetic planning’ defined as planning of flora and fauna with the object of beautifying the piece of land (country). Bio-aesthetic planning is an aesthetic branch of Horticulture which deals with planting of ornamental plants in such a way that it creates a picturesque effect. It is a very fascinating and interesting subject. With the greater realization of environmental, ecological and socio- economic benefits of plants, scope of Bio-aesthetic planning has increased further. Bio-aesthetic planning can play important role in environmental amelioration of urban and industrial areas along with their beautification.

Ikebana

Flowers are generally known as the symbol of beauty around the world. Many people stick flowers in vases to wreath their rooms, houses and other places. Japanese FlowerArrangement is essentially different from the Western style of flower arrangement. The western style involves symmetrical arrangement of flowering plants in a vase whereas, the Ikebana, which means “flowers kept alive”, is much more intricate, complex and asymmetric. This style of flower arrangement is one of the famous cultural traditions of Japan known around the world. Generally, all Japanese flower arrangement styles are lumped together as ikebana but we cannot say they are all the same. Ikebana is a disciplined art form in which nature and humanity are brought together. Though it is a creative expression, it has certain rules governing its form. The main rule is that all the elements used in construction must be organic, be they branches, leaves, grasses, or flowers. The artist’s intention behind each arrangement is shown through a piece’s colour combinations, natural shapes, graceful lines and the usually implied meaning of the arrangement. They arrange flowers to recreate nature in miniature to see individual flowers which have been left behind. Ikebana is like one of the ways to communicate with nature. Another aspect present in ikebana is its employment of minimalism. That is, an arrangement may consist of only a minimal number of blooms interspersed among stalks and leaves. The structure of a Japanese flower arrangement is based on a scalene triangle delineated by three main points, usually twigs, considered in some schools to symbolize heaven, earth and man and in others sun, moon, love & earth. The container is also a key element of the composition and various styles of pottery may be used in their construction. Over time, the ways and styles have changed but there is still the basic idea of ikebana remain same.

Bonsai is a Japanese art form using miniature trees grown in containers. The first documented evidence of an oriental word for container planting emerged approximately 1600 years ago in China. Bonsai is a Japanese pronunciation of the earlier Chinese term pen zai. A bon is a tray-like pot typically used in bonsai culture. The purposes of bonsai are primarily contemplation (for the viewer) and the pleasant exercise of effort and ingenuity (for the grower). Bonsai is not intended for production of food, for medicine, or for creating yard-sized or park-sized gardens or landscapes. Instead, bonsai practice focuses on long-term cultivation and shaping of one or more small trees in a single container.

The practice of bonsai is sometimes confused with dwarfing, but dwarfing more accurately refers to research and creation of plant cultivars that are permanent, genetic miniatures of existing species. Bonsai does not require genetically dwarfed trees, but rather depends on growing small trees from regular stock and seeds. Bonsai uses cultivation techniques like pruning, root reduction, potting, defoliation and grafting to produce small trees that mimic the shape and style of mature, full-sized trees.

Bonsai can be created from nearly any perennial woody-stemmed tree or shrub species. Which produces true branches and can be cultivated to remain small through pot Some species are popular as bonsai material because they have characteristics, such as small leaves or needles that make them appropriate for the compact visual scope of bonsai. Some of the plants highly suited for making bonsai

Ornamental pot plants should be potted in small pots according to the size of the plants. Any kind of pot/container which can hold medium and provide aeration is suitable. The most common container is the plastic or clay pots. Plastic pots should be preferred because it retains moisture longer than mud pots. Plants should not be disturbed frequently and re-potting done only when absolutely necessary.

Potting media

Different types of growing media may be used for ornamental pot plant cultivation, but it is crucial that it must retain a certain amount of moisture and be well draining. Different plants require different substrate in which they would thrive. Conditions of the plant experiences in nature should think before choosing the media. Tropical plants require more water naturally compare to subtropical and temperate ones. For irrigating with sprinkling can or hose, it is better to use materials that drain well and decompose slowly while for drip irrigation heavy potting material should be used. The most important thing is to match watering habits to the potting material. Growing conditions play a most significant role in deciding on a medium. If there is no problem in providing a constantly humid environment due to climate or if growing in a greenhouse, the moisture retention on thepart of media is less of a concern. Ambient temperatures play a role here, as well, as warmer temperatures tend to increase the evaporation of water and along with the drying rate of the medium. The personal tendencies and how much time might be spending to water plants is another significant factor in choosing a medium. The combination of potting materials that will work best for garden plants mainly on Plant structure and root structures:

Any substance or mixture of substances intended through physiological action, for accelerating or retarding the rate of growth or maturation, or otherwise altering the behaviour of plants or the produce thereof are known as plant growth regulators. It does not include plant nutrients, trace elements, nutritional chemicals, plant inoculants and soil amendments.

Plant hormones are organic compounds other than nutrients, synthesize by plants and regulate plant growth and development. They are active in very low concentrations, produced in certain parts of the plants and are usually transported to other parts where they elicit specific biochemical, physiological and morphological responses. They are also active in tissues where they are produced. The term plant growth regulator is usually used to denote a synthetic plant hormone, but most of the synthetic compounds with structures similar to those of the natural hormones have also been called hormones. For instance, the synthetic cytokinin, kinetin is considered a hormone.

Lawn

The lawn is a plot of closely mowed grasses. It is composed of thousands of individual plants crowded and forced into a very unnatural growth habit. It is an integral part of the garden. It is basically an area of land planted between gardens covered with grass and other low lying plants.

Lawn is one of the most important features of a garden. A well kept lawn makes a garden look extremely beautiful. It looks like a beautiful green carpet amidst colourful flowers in a garden. Lawn can be called as turf, pitch, field or green depending upon its plantation and usage. Selection of lawn grass depends upon it usage and its season of plantation. Though a well maintained lawn requires a little of patience and care, the final results are always very beautiful and soothing. Scientific reports say that lawns reduce energy consumption through it soothing effects and the green grass prevents soil erosion as well as cut down noise pollution in the urban areas.

Pruning is a regular part of plant maintenance involving the selective removal of specific plant parts. Although shoots and branches are the main targets for removal, roots, flower buds, fruits and seed pods may also be pruned. Pruning wounds plants, but plants respond differently to wounding than do animals. In plants, damaged areas are covered by callus tissue to close wounds. Another response to pruning occurs inside plants. Chemical boundaries form around wounded areas, walling off or compartmentalizing the wounds. Compartmentalization limits any decay that results from wounding, or from the natural death of branches. Use pruning techniques that minimize plant wounding and speed wound closure.

Weed is a plant that is growing in the wrong place. Weeds have many mechanisms and characteristics that enable them to compete, having thick waxy cuticle leaves that can be resistant to some chemicals, fast reproduction methods, the ability to reseed in 6 week cycles and deep tap roots enabling the weed to survive in compacted dry ground conditions.

There are many reasons to control weeds in annuals/biennial and perennial ornamentals. Weeds compete with the plants by absorbing essential nutrients and water, or by blocking light or air circulation. Weeds dramatic reduce the growth of the plants. The greatest damage is often done when the weeds and ornamental plants are small. Weeds also interfere with harvesting by physically hindering. They lower flower quality further by harbouring insects, such as whiteflies, thrips mites, slugs, snails and/or diseases.

Growing under optimal conditions for the flower will reduce the ability of weeds to compete against the crop. Controlling humidity/ventilation, water, light, pH, nutrients and temperature all figure prominently in providing flower optimal conditions. A plant health strategy to greenhouse weed control contains three principal elements, prevention/sanitation, evaluation of water quality and using all controls available physical, cultural and chemical. Prevention and sanitation can include the use of mulches in orchidhouse weed control. Rice hulls, perlite, pumice, corn gluten meal bark, Penn Mulch - pelletized recycled paper and human hair have all been used for this purpose. Prevention also includes, eliminating air borne weed seeds from entering the greenhouse by screening vents and other openings and preventing perennial weeds from growing under foundations. A 1-3 meter weed free zone should be maintained immediately adjacent to the greenhouse.

The term essential element was proposed by Arnon and Stout (1939).They concluded three criteria must be met for an element to be considered essential. These criteria are:

1.A plant must be unable to complete its life cycle in the absence of the mineral element.

2.The function of the element must not be replaceable by another mineral element.

3.The element must be directly involved in plant metabolism.

The number of elements considered essential for the growth of higher plants now varies from 16 to 20 or more, depending upon the definition of essentiality. Other scientists such as Nicholas (1961) believed that an element should be considered essential if its addition enhances plant growth even though it merely substitutes for one of the 16 elements that Arnon declares to be essential. For example, sodium can substitute in plant nutrition for some potassium and vanadium for some molybdenum, Nicholas would consider both sodium and vanadium as essential, but Arnon would not. On the basis of the criteria used, Arnon specifies 16 elements and Nicholas 20 elements as being essential for the growth of higher plants. Three other debated nutrients are nickel (urea transformations), cobalt (N₂ fixation) and silicon. These criteria are important guidelines for plant nutrition but exclude beneficial mineral elements. Beneficial elements are those that can compensate for toxic effects of other elements or may replace mineral nutrients in some other less specific function such as the maintenance of osmotic pressure. The omission of beneficial nutrients in commercial production could mean that plants are not being grown to their optimum genetic potential but are merely produced at a subsistence level.